Getting into video production? Want to record a podcast? Maybe interview someone for a vlog? There are microphone solutions for all of these individual audio scenarios, but there isn’t any one handy solution that covers them all. Until now.
Today, I’ll talk about three key reasons you might want to consider the NIKKOR Z 28-135mm f/4 PZ power zoom lens.
Today, we’ll have a look at the new Saramonic TC-NEO wireless timecode generator.
In an era in which solo creators and small teams can create the kind of work that used to require many more people and the resources of a well-funded studio, creatives often need to wear many hats to realize their artistic vision. Yet still, we insist on categorizing their creativity in narrow boxes.
DJI, who make some of the world’s most popular drones and action cameras, seems determined to establish a meaningful presence in the 360 video world. Could their latest offering, the Osmo 360, which seems squarely targeted at Insta360’s market, be the opening salvo of a 360 video arms race?
Going to make a bold prediction (or a hot take) here: Camcorders are going to make a point-and-shoot style comeback in the next year. In the same way that compact cameras have experienced a resurgence among youth looking for the nostalgic vibes, so too will the handy cams that those of us who actually used the things back in the day will never understand.
With power stations, everyone wants more capacity and longer life, but nobody wants to lug around a 60-pound brick. The Dabbsson 2000L aims to strike a balance by packing 2 kWh of energy storage into a surprisingly portable form factor at a very competitive price point. Is the Dabbsson 2000L an ideal entry point for creators looking for a large power station?
Today, I wanted to have a quick look at five iPhone apps that helped make the biggest action film of the summer, F1: The Movie.
This week, I got to try out a brand new lens from Laowa, the 12mm f/2.8 Lite Zero-D FF. A lot of the perks in the lens are right there in the title, but let’s have a closer look to see if it might be right for you.
Wireless mics now come in all shapes and sizes, sometimes at the cost of important features. This new wireless mic system packs way more features than it seems.
For mobile-first creators, capturing good audio can be challenging, often being more expensive and complicated than the point-and-capture nature of mobile video. Hollyland is aiming to solve that problem with its new Lark A1, a dual-channel wireless microphone system designed specifically for mobile devices that prioritizes simplicity while keeping costs impressively low.
Today, we will take a look at new tools inside DaVinci Resolve Studio that help improve efficiency in the early stages of your editing workflow.
Last night, I got a chance to have an early peek at the upcoming Fuji GFX Eterna cinema camera. Set to be released later this year, the camera puts a large format sensor in a cinema-focused body that promises to be a serious tool for high-quality filmmaking.
Sigma has just announced a new line of cinema lenses featuring a wide T1.3 aperture across a line of 8 new lenses.
If you've opened up any social media at all in the last year or two, you've probably seen a fair number of AI-generated videos set to music. I know for me, my feed is filled with many strange videos involving Donald Trump, J.D. Vance, and a bag of Cheetos. But none of those videos have had any dialogue—until now, with Google's Veo 3.
One need only look at GoPro's stock price, once at almost $94 in 2014 and now trading at less than a dollar, to recognize that maybe action cameras — and other niche, specialized cameras — aren't the best ideas. Still, that hasn't stopped me from buying a good many of them over the years, and after watching this video, I have some feelings.
Do you struggle to see your camera screen in bright light or fine-tune critical focus? This compact tool might be the simplest upgrade to transform how you shoot in the field, without changing your camera. Here's why a 7-inch external monitor could be the piece you didn’t know you were missing.
DJI has long been a household name when it comes to drones and camera stabilization, consistently pushing the boundaries of what compact gear can achieve. With the launch of the DJI Osmo Mobile 7 (OM7), the company has decided to bring a highly capable gimbal to the hands of beginners without the usual high price tag. While many smartphone gimbals are often geared toward enthusiasts or semi-pro users, the OM7 is designed to be a true entry-level option that doesn’t feel basic. It offers minimal compromise in functionality while still packing in big capabilities, making it one of the most approachable and reliable tools for new content creators to elevate their mobile shooting game.
DJI’s latest smartphone gimbal, the Osmo Mobile 7P, marks the brand’s seventh generation of innovative smartphone gimbals, bringing a completely new foldable design that’s even more compact and refined than before. It introduces a couple of pro features that really take content creation to the next level, including the new ActiveTrack 7.0 technology, which pushes three-axis stabilization and intelligent tracking to new heights. Compatible with a range of smart tools, capturing stabilized high-quality footage has never been easier. Judging by the letter “P” in its name and its expanded functionality, DJI seems to be clearly targeting the Osmo Mobile 7P toward pro smartphone videographers.
Canon has just released the fourth lens in its L VCM line of Hybrid Primes, the RF 20mm f/1.4 L VCM. I got to have an early look and wanted to share my thoughts.
Dedicated video cameras and even hybrid cameras now offer a plethora of formats for shooting video, but what is the difference between 4:2:0, 4:2:2, and raw, and how will it affect your footage? A grasp of the technical details can be helpful in making an informed decision about which format to use.
The term "cinematic" gets thrown around a lot, often without a clear understanding of what truly defines it. For anyone serious about video production, knowing the elements that genuinely create a cinematic experience is crucial to elevating your work beyond just visually pleasing footage.
Canon’s new EOS R50V has just hit the shelves, and I was fortunate enough to get my hands on an early unit to put it through its paces.
Don’t expect a tech review where I list a whole bunch of numbers and stats—and copy and paste lines oozing hyperbole written by young copywriters looking to impress—from the media release. I’m bored just thinking about that. No, I’m reviewing this neat and rather unique little wireless mic from Shure from the perspective of an actual vlogger and filmmaker. Because, well, that’s exactly what I am.
When it comes to still photography and videography, conventional wisdom holds that digital cameras intended for one of these mediums will be middling performers, at best, in the other. Or maybe the whining about every compromise or minor imperfection in our gear has just reached an absurd level.
Convenience is one thing, but not all wireless mic systems can evade signal interference and loss. When the project has no room for re-dos, this might be the mic system for you.
The good news keeps on coming for filmmakers looking to get the highest quality images without breaking the bank. Today, it was Blackmagic Design’s turn, as it announced the new Blackmagic PYXIS 12K.
For those Nikon users who prefer to use Adobe Premiere for your workflow, a major new compatibility announcement should make your life quite a bit easier.
If you haven't seen the new series "Adolescence" on Netflix, it is by far one of the best cinematic experiences of 2025. The four-part drama is being praised not only for its intense subject matter and acting but also because each episode was filmed in a single take with no camera cuts or movie magic transitions. Let's take a look behind the scenes to see how it was filmed.
I don’t usually write about price drops, but RED Cinema and Nikon today announced a major one I think is worth the ink.
