If you're cranking up saturation on every photo, you might be destroying your subject's skin tones. The difference between Photoshop's vibrance and saturation tools can make or break your portrait edits.

Blue hour photography transforms ordinary landscapes into ethereal masterpieces that capture viewers' attention like few other techniques can. You're missing out on some of the most compelling shots of your career if you're packing up your gear when the sun disappears behind the horizon.

The whispers have turned into reality: Sony has officially announced the RX1R Mark III, and for enthusiasts of high-end compact cameras, the excitement is palpable.

Wherever you are on your landscape photography journey, there are common myths about how to approach the craft that can hold you back—thoughts that are commonly expressed in online communities that raise doubts and block your progress. Let’s look at three common myths that might be holding you back.

The most devastating critique of modern photography isn't about oversaturation, cliché compositions, or even AI manipulation. It's this: we obsess over the sharpness of eyelashes while missing the tears that give them meaning. We pixel-peep at 400% magnification while life's most profound moments slip past our viewfinders unnoticed.

Looking at this camera announcement, I had to ask myself: Has Sony completely lost their minds?

There’s nothing more useless than a nice charger or power bank in your bag without a cable to use with it. This new charger line prevents that annoying mistake from happening.

Renowned Dutch photojournalist Chas Gerretsen is best known for his raw and emotional war photography captured during the Vietnam War and the hostile and violent political turmoil in Chile. However, his career took an interesting turn when he found himself exhausted from covering global conflicts. This turn took him to Hollywood, where he would use his skills sharpened on the battlefield and bring them to the movie set of Francis Ford Coppola's 1979 film, Apocalypse Now.

Your Lightroom Classic workflow could be moving twice as fast with the right tools, but many people never discover the features that eliminate hours of tedious editing work. These AI-powered shortcuts and advanced masking techniques can transform how you approach photo editing by automating the repetitive tasks that slow you down.

Editing can make or break a portrait, yet most people focus on the wrong details when trying to improve their work. The difference between amateur and professional-looking portraits often comes down to a handful of specific techniques that direct the viewer's attention exactly where you want it.

Sony has announced the RX1R III, the third generation of its premium compact camera series featuring a 61-megapixel full frame sensor and fixed ZEISS Sonnar T* 35mm f/2 lens. The camera combines Sony's latest imaging technology in a palm-sized body designed for photographers seeking full frame quality in a compact form factor.

Here's a truth that many photographers would rather ignore: what separates thriving professionals from those who merely own expensive gear isn't mastery of f-stops and shutter speeds.

If you’re in Sony’s Alpha system, the NP-FZ100 battery is a familiar sight. It powers a huge range of cameras, from the a7R V to the a6700, FX3, and FX30. While the battery itself is a solid performer, Sony’s charging solution is a basic, single-slot affair with little feedback beyond a blinking light. This has created a huge market for third-party solutions, and the FirstPower NP-FZ100 Dual LCD Charger Kit is one of the more interesting options. It promises not just to charge your batteries, but to do so faster, smarter, and in a more convenient package.

As someone who often shoots video more than photos these days, a filter kit is essential. There are three filters I use: a variable neutral density (VND) filter, a circular polarizing filter (CPL), and a mist filter.

This travel tripod goes over the top and offers angles that most taller tripods can’t. If you’re someone who requires versatility in your lightweight tripod, this is for you.

The Sony FE 50-150mm f/2 GM is one of the most remarkable lenses in recent years, promising to replace several primes in your bag. Here's what you can expect from it.

A lens that can replace a bag full of primes, while still being lighter and smaller than its predecessor, is not something you see every day. The Sigma 17-40mm f/1.8 DC Art lens pushes APS-C systems into territory that used to be reserved for much more expensive gear.

I visited my local camera store in Canada recently and chatted with the guy working there about film photography. He confirmed what I was already experiencing from spending too much time on YouTube, telling me how popular it’s become and how the popularity continues to grow. He said it’s mostly younger people getting into film photography, and they can’t keep a used film camera in the display case for more than a few days; they get snapped up. Why is that?

You're probably not using about 100% of your camera's capabilities. Canon has quietly embedded a treasure trove of advanced features that could revolutionize your photography—features so specialized, most photographers never discover them.

Many of us use our work in programs beyond what can be done in Lightroom and Photoshop. Just like Adobe is being challenged by outstanding alternatives to Lightroom for digital asset management, the CorelDRAW Suite is winning over users for other functions.

The constrictive algorithms, toxicity, and competitive atmosphere of some social media platforms can be a drain on your creativity as a photographer. By contrast, the platforms that foster a sense of community and support can be great portals for photographers to connect and share their work.

If you're considering adding a portrait lens to your kit, finding the right balance between quality, performance, and price isn't always easy. Third-party lens makers are rapidly improving, giving you impressive options that won't drain your wallet.

When you're choosing a lens for your camera, versatility matters: being able to handle different kinds of photography keeps things simple, making trips and shoots more enjoyable. A perfect all-arounder for Micro Four Thirds users might seem elusive, but this video tests one contender that's well worth your attention.

Needing a smaller pack in which to carry my equipment, I put the new Peak Design 18L Outdoor Backpack and 4L Sling through their paces. I wish I had them available years ago.

Here's a radical thought: the most underutilized piece of equipment in your camera bag isn't that expensive filter you never remember to use or the flash modifier gathering dust on your shelf. It's something else that came with your camera and that you probably tossed aside.

As AI tools improve, we all have to ask: What kind of creativity do we value most? Is it the idea? The process? The perfection or the imperfections? That’s not a bad thing. It’s a sign that art is still evolving.

For several years, I have been more and more conscious about what I eat and drink. Gone are the days when I could survive on many cans of fizzy drink, chocolate, and snacks to fuel my photography adventures. I simply can't put my body through it anymore, plus it was having a detrimental effect on my ability to stay sharp and focus on my tasks. Instead, I switched to having water as often as I can during each day, and despite the temptations of the colorful refrigerators in gas stations, I have managed so far to avoid the temptations. Has there been a change? Yes, I can keep going for longer, I don’t feel as bloated, and I have saved money in the long term. But I’ve often wondered if I could do even better.

The Viltrox AF 35mm f/1.2 LAB FE lens is attracting attention for its unique specs and a price that challenges traditional expectations. With few direct rivals, this lens might reshape how you think about premium lenses for Sony full frame cameras.

Editing photos doesn't have to feel like a chore you dread. Instead, it's possible to streamline your approach and eliminate the clutter that's keeping you stuck at the desk.

Kevin Jairaj has been the Official Photographer for the College Football Playoff National Championship since its inception in 2015 and has become sought after for sports, weddings, and events in London; Trinidad and Tobago; the Bahamas; the USA; and, especially, his home state of Texas. Kevin has covered multiple Super Bowls and the Olympics. He shares why double exposures aren't artful, why panning skill is essential, and which standard piece of gear is "obsolete."

The photography industry witnessed one of business history's most dramatic upheavals during the digital revolution. Companies that dominated film photography for generations found themselves unprepared for fundamental changes in how images were captured, processed, and shared. This transformation claimed several iconic brands, each offering distinct lessons about navigating technological disruption.

After my previous experience with Reolink’s Go PT Ultra, which I reviewed here, I was curious to see how the company’s new Camovue Talon Pro would stack up in more realistic wildlife conditions. This time, it promised to be more purpose-built for the outdoors, with proper security features, solar charging, and app-based animal detection. Here’s what I found after three weeks of field testing in the Irish countryside.

Going to make a bold prediction (or a hot take) here: Camcorders are going to make a point-and-shoot style comeback in the next year. In the same way that compact cameras have experienced a resurgence among youth looking for the nostalgic vibes, so too will the handy cams that those of us who actually used the things back in the day will never understand.

Sigma recently released the new 16-300mm f/3.5-6.7 DC OS Contemporary lens, designed to tackle everything from wide angle landscapes to distant sports action with one lens. It could simplify your kit, but is the convenience worth the potential compromise in image quality?

The Tamron 16-30mm f/2.8 Di III VXD G2 lens has just landed, and it's worth your attention if you’re serious about your gear. Ultra-wide angle lenses can transform your landscape, architecture, and astrophotography, but not every lens gets it right, though this one might.

How much difference can half a stop of maximum aperture make? Let’s see if it is worth carrying a much bigger and heavier lens.

In an era where 24-240mm superzooms promise to capture "everything you need" in a single lens, suggesting that photographers should intentionally limit themselves to fixed focal lengths sounds almost heretical. Yet the most compelling case for prime lens education lies in understanding how constraint-based learning accelerates skill development and creates better photographic habits.

The world of continuous LED lighting is more competitive than ever. In this landscape, Nanlite has carved out a place by offering powerful, reliable, and cost-effective lighting. The FS-300C brings a newer lighting trend—multi-color LEDs—along with high power ratings to an attractive price point. Does RGBW lighting really make a difference?

Landscape photography often means balancing image quality and gear convenience. This becomes especially challenging when considering fixed-lens cameras, but one might rise about the rest.

If you're interested in lenses that capture vintage charm without sacrificing modern practicality, the reissue of the Leica Summilux-M 50mm f/1.4 might catch your eye. It blends elements from decades of Leica history into one lens, giving your images a unique character and feel.

The Perseid meteor shower is often the most spectacular meteor shower in the Northern Hemisphere due to frequency as well as its appearance in summer. Here's how to photograph it!

The most expensive photograph you'll ever lose is the one you never backed up.

There’s something magical and brutally honest about photographing at night.

Fujifilm's new X-E5 mirrorless camera has arrived, bringing intriguing upgrades from the X-E4 and catching attention with a sleek form factor and enhanced capabilities. For those considering a compact, interchangeable lens camera, the X-E5's improvements offer compelling reasons to take a closer look.

I've recently been exploring the world of photography without editing, and the options for cameras are quite limited. I picked up a Nikon Zf a couple of months ago to find out just how good the images it can make right in camera could be.

Kase's entry into the autofocus lens market with the new Kase 85mm f/1.4 lens could shake things up, especially if you're into portraits or low-light photography. A company's first autofocus lens often reveals a lot about its potential, and Kase is making an ambitious statement here.

An intervalometer are inexpensive and invaluable. We will break down what it is, how it can help you, and how to use it.

There's a lie we tell ourselves about photography equipment: that the camera doesn't matter. It's a comfortable fiction that lets us sleep at night, convinced that our artistic vision transcends mere machinery. But here's the uncomfortable truth that every photographer who lived through the transition from point-and-shoot to SLR knows deep in their bones: the moment you first wrapped your hands around a "real" camera, everything changed.

The WANDRD PRVKE V4 has exploded on Kickstarter, hitting its funding goal in under 30 minutes and continuing to climb past expectations. With nearly half a million already pledged, it’s clear this isn’t just another camera bag launch. WANDRD’s latest update to their flagship bag has struck a chord with photographers, filmmakers, and everyday creatives alike. But what exactly makes the PRVKE V4 so appealing, and is it really worth the hype?